P4 THEATER ARCHIVE · VIEWING EDITIONS
Public viewing editions and chapters
Nine Archive records and two main-channel films, with 34 verified published chapter links. Channels, processing states and timelines are recorded separately.
Processing states follow the supplied receipts. A public upload is not necessarily processed. Sources without verified chapters retain a start-page link; dialogue guides and raw-source mappings are not invented.
This 82:16 viewing edition preserves the sequence, duration and location sound of one camera recording. Published chapters are sampled visual landmarks, not verified script scenes. A continuous camera record does not establish that every part of the performance was captured; no date or participant identities are newly assigned.
Published duration: 01:22:16.000 · Watch this edition on P4 Archive ↗
Chapters in this published edition
- 00:00:00.000 · Opening space ↗
- 00:07:30.000 · People in the space ↗
- 00:32:30.000 · Blue-lit stage ↗
- 00:40:00.000 · Red-wall setting ↗
- 00:50:00.000 · White-lit stage ↗
- 00:57:30.000 · In front of the black curtain ↗
- 01:05:00.000 · Projection sequence ↗
- 01:17:30.000 · Standing in a line ↗
Edition identity and timing limits
YouTube ID: KicfwGlbM9I
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Return to the project materials (Chinese)
The Middle: coordinating lines, recruitment and a shared schedule
This 4:36 selection from the 101 Troupe / BODY rehearsal collection trims the opening and ending and adjusts brightness and sound. The archive label “final rehearsal before a performance” is not independent confirmation of the full production history. A circular acting area does not establish audience-in-the-round seating or every spatial proposal described in the interviews.
Published duration: 00:04:36.000 · Watch this edition on P4 Archive ↗
No verified chapters were supplied for this edition. Open the video from its beginning; no time links are invented.
Edition identity and timing limits
YouTube ID: VkvlJEzuXH8
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
BODY: making shifting relationships playable
BODY: spatial proposals under production constraints
BODY: playable relations without a fixed character model
This 1:31 selection shows a body beside a changing projection. Camera/player handling at the beginning and ending is trimmed. The original 640×480, 4:3 image remains within a square presentation; a larger export does not create new source detail. It is not a complete performance, and no recording date or performer identity is newly assigned.
Published duration: 00:01:31.000 · Watch this edition on P4 Archive ↗
No verified chapters were supplied for this edition. Open the video from its beginning; no time links are invented.
Edition identity and timing limits
YouTube ID: O94n5iyQgvU
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Hamlet Mirror: translation and two temporal structures
Artist’s work record: follow the work’s context ↗
This 1:09 location selection preserves the order of walking, pauses and a farewell, ending before the camera is obscured. Camera metadata informed the SDR viewing conversion. “A Walk Together” is an editorial subtitle, not a claim about private relationships or a complete scene in the finished film.
Published duration: 00:01:09.000 · Watch this edition on P4 Archive ↗
No verified chapters were supplied for this edition. Open the video from its beginning; no time links are invented.
Edition identity and timing limits
YouTube ID: 3QbeXjlL3Qw
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Return to the project materials (Chinese)
This 8:46 rehearsal edit follows an instruction to crawl, questions about the script and the role, and a later change to walking. The published description dates the recording to 15 June 2023. The edit preserves chronology with omissions, without claiming that the disagreement was resolved. Fictional director and actor roles remain a performance context, not evidence about private lives. He Fa is credited with the archive edit; picture subtitles were edited from machine-assisted transcription rather than certified as a verbatim record.
Published duration: 00:08:46.000 · Watch this edition on P4 Archive ↗
Chapters in this published edition
- 00:00:00.000 · The instruction ↗
- 00:00:17.000 · Why should I crawl? ↗
- 00:01:34.000 · Written for whom? ↗
- 00:04:00.000 · Another explanation ↗
- 00:05:51.000 · You wrote it for yourself ↗
- 00:07:02.000 · I cannot give you more ↗
- 00:07:49.000 · Walk instead ↗
Edition identity and timing limits
YouTube ID: rchmX8uedBQ
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Return to the project materials (Chinese)
This 9:48 science-fiction audition edit follows testing, contradictory information and a request for reciprocal rules. The published description dates the recording to 6 June 2023 and marks a larger omission as “Later in the same session.” The committee, AI identities and tests belong to a constructed performance, not an actual interrogation or medical procedure. He Fa is credited with the archive edit; bilingual subtitles are edited machine-assisted transcription, not a complete verbatim record.
Published duration: 00:09:48.000 · Watch this edition on P4 Archive ↗
Chapters in this published edition
- 00:00:00.000 · Entering the test ↗
- 00:01:00.000 · The science-fiction scenario ↗
- 00:02:55.000 · Curiosity fades ↗
- 00:04:13.000 · Pointing out the contradiction ↗
- 00:06:03.000 · A reciprocal condition ↗
- 00:07:17.000 · Repetition and waiting ↗
- 00:08:01.000 · Who is testing whom? ↗
Edition identity and timing limits
YouTube ID: Mh_HKOooQuE
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Return to the project materials (Chinese)
This 2:03 main-channel edit considers how to help a friend make a film and retains the beginning of a phone call. It labels jumps backward and forward within the same discussion and does not show the outcome of the call. The question is how a suggestion becomes a concrete action, without constructing profiles of participants’ private attitudes.
Published duration: 00:02:03.000 · Watch this edition on the P4 main channel ↗
Chapters in this published edition
- 00:00:00.000 · A film, a friend, a disagreement ↗
- 00:00:21.000 · Earlier: what does helping mean? ↗
- 00:01:17.000 · Later: make the call ↗
Edition identity and timing limits
YouTube ID: an4JePlimBg
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Return to the project materials (Chinese)
The description of this 78:25 main-channel edition dates the performance to 2 January 2021 and reports restoration of the ending and credits missing from an earlier truncated edition. These nine published chapters are not a complete act list and must not be applied to the earlier 46-minute edition or other source files. Jinzi and Rumeng are credited as director and writer in the description; subtitles and audio adjustments belong to this access edition.
Published duration: 01:18:25.000 · Watch this edition on the P4 main channel ↗
Chapters in this published edition
- 00:00:00.000 · An instruction for silence ↗
- 00:04:43.000 · Questions about an ideal partner ↗
- 00:07:35.000 · An argument in the toilet ↗
- 00:11:07.000 · Thoughts prompted by constipation ↗
- 00:12:55.000 · Howling on the rooftop ↗
- 00:20:53.000 · A sound that will not leave ↗
- 00:30:52.000 · A rooftop confrontation ↗
- 00:36:11.000 · A warning in the name of justice ↗
- 01:10:57.000 · The sound returns ↗
Edition identity and timing limits
YouTube ID: MPWmPQd8ImQ
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
Return to the project materials (Chinese)
Howlers: an edited chorus of production roles
3P: project-specific credits and participation
This 5:11 access edition has completed platform processing. Sampled images show people and spatial arrangements indoors. Project attribution differs between records and remains unresolved, so no work or event is assigned here. The date 12 March 2022 comes from the source filename, not independent event verification. No verified transcript is supplied; repeated and out-of-range machine text is not used to identify people or create a dialogue guide.
Published duration: 00:05:11.000 · Watch this edition on P4 Archive ↗
No verified chapters were supplied for this edition. Open the video from its beginning; no time links are invented.
Edition identity and timing limits
YouTube ID: uUYOaB3jBTo
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
This BODY rehearsal access copy is public according to the upload handoff. The date in its title follows the source register; its platform duration is 9 minutes 40 seconds. It can be read alongside the BODY studies of relationships, rehearsal and space below. This page does not claim a complete human listening review, identify personal roles, reconstruct exercises or establish performance outcomes from the filename or excerpt. No verified captions, chapters or timing map to another edited version are supplied.
Published duration: 00:09:40.000 · Watch this edition on P4 Archive ↗
No verified chapters were supplied for this edition. Open the video from its beginning; no time links are invented.
Edition identity and timing limits
YouTube ID: STozpUtyKxE
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
BODY: making shifting relationships playable
BODY: spatial proposals under production constraints
BODY: playable relations without a fixed character model
This BODY rehearsal access copy is public according to the upload handoff. The date in its title follows the source register; its platform duration is 18 minutes 6 seconds. It can be read alongside the BODY studies of relationships, rehearsal and space below. This page does not claim a complete human listening review, identify personal roles, reconstruct exercises or establish performance outcomes from the filename or excerpt. No verified captions, chapters or timing map to another edited version are supplied.
Published duration: 00:18:06.000 · Watch this edition on P4 Archive ↗
No verified chapters were supplied for this edition. Open the video from its beginning; no time links are invented.
Edition identity and timing limits
YouTube ID: wC8atEbhplw
Processing state: succeeded
An exact raw-source-to-viewing-edition interval map is not registered here. Markers from other source files must not be applied to this video.
BODY: making shifting relationships playable
BODY: spatial proposals under production constraints
BODY: playable relations without a fixed character model
All viewing editions and channels · Return to studies and relationships