What the public material records
An incomplete retained planning note considers the volume of lines against a month of rehearsal, proposing two groups, a prompting device and backup performers while seeking a clear allocation of responsibility. Its late-April target becomes a 1 May announcement in the later recruitment and pre-performance publications; this documents a more specific plan, not the reason for the change. The May notice credits Chen Yu as director, Hu Junyuan as writer, Zhang Shaohua as producer and still photographer, and He Fa for event documentation and among the performers. The editorial interpretation is that a text entering a shared theatre must also become roles to recruit, a workable schedule and an allocation of responsibility. The sources do not establish adoption of prompting, alternate casts or replacements; photographs of paper-assisted rehearsal cannot settle those questions.
Time and version
- Original publication
- 2021-03-31 / 2021-05-01
A retained planning note compared with two announcements; the date in the filename is not independently verified.
Editorial research from the cited published or retained documents; interpretations are not quotations from participants.
People and organizational roles
Chen Yu — Director credited in the notice · S60-2
Hu Junyuan — Writer credited in the notice · S60-2
Zhang Shaohua — Producer and still photographer credited in the notice · S60-2
He Fa — Event documentation and performer credits in the notice · S60-2
Limits of this evidence
- Pre-performance credits do not establish attendance or completion of every task.
- Folder labels alone do not establish that two recordings are synchronized views of one performance.
These are reviewed research texts. Related public films identify their access editions separately; local source timings are not converted into web links.
People, groups, documents and plans
Solid: documented. Dashed: inference awaiting verification. Double: conflicting evidence. These relationships record public credits, attributed recollections, retained research and explicit links between research entries; no unverified identities or conflict allegations are added. Connections do not imply causation or implementation.
- Based on this published textSource credit / attributed account; see limits
- Based on this published textSource credit / attributed account; see limits
- Based on the cited documentSource credit / attributed account; see limits
- Director credited in the noticeSource credit / attributed account; see limits
- Writer credited in the noticeSource credit / attributed account; see limits
- Producer and still photographer credited in the noticeSource credit / attributed account; see limits
- Event documentation and performer credits in the noticeSource credit / attributed account; see limits
Sources and versions
S60-1 · 招募｜p4U计划——控诉爱情失败后的中间派自救指南
2021-03-31T19:58:37+08:00
A archive: check the full context ↗
Passage locator: 演员及剧组面试；五月一日公演预告
S60-2 · 【p4U】在主奴辩证法中完成自我更迭，关于一个中间派的自白——夹杂着精致的无赖与天真的妥协中的些许兴奋与悲伤在混合着期待与不安后
2021-05-01T07:30:00+08:00
A archive: check the full context ↗
Passage locator: 导演陈瑜；编剧胡竣元；制片张绍华；事件记录何发
S60-3 · 《中间派》筹备笔记（文件名标20201128，非完整版）
日期未核 / Date unresolved
Editorial summary of a retained document; the original is not published here. Paragraph references support archival review, not public video timing. Dating, adoption and implementation require separate evidence.
Passage locator: 第16–17段责任安排；第23–33段台词、排期及备用办法