What the public material records
In interviews published on 8 September 2022, writer-director Cao Jiansong describes moving from abstract characters to a specific relationship within each scene, while allowing that relationship to change across the play. Actor An Xirui recalls an additional story written by the director to clarify the characters. Wu Hao attributes to Liang Yin a suggestion that helped him approach the role through accessible experience rather than a distant middle-aged image. These accounts describe different working methods; they do not establish a single verified sequence of exercises. Cao also attributes some blocking changes to actors during rehearsal. The research interpretation is that textual understanding had to become playable relationships and actions. A shared publication date is not a shared interview date, and the announced 9 September performance does not establish its final outcome.
Time and version
- Original publication
- 2022-09-08
- Planned start
- 2022-09-09
Interview accounts published on 8 September 2022; rehearsal dates remain unresolved.
Evidence: attributed statements and credits in published articles; editorial comparisons are identified in the text.
People and organizational roles
Cao Jiansong — Writer / director · S46-4
Liang Yin — Advice attributed by Wu Hao; no formal position established · S46-7
Limits of this evidence
- Articles in one interview series are not independent corroborating investigations.
- The additional story and its date remain to be located.
- Inconsistent relative dates in An Xirui’s interview cannot establish a complete rehearsal calendar.
- Reported improvements do not independently establish the final outcome.
These are reviewed research texts. Related public films identify their access editions separately; local source timings are not converted into web links.
People, groups, documents and plans
Solid: documented. Dashed: inference awaiting verification. Double: conflicting evidence. These relationships record public credits, attributed recollections, retained research and explicit links between research entries; no unverified identities or conflict allegations are added. Connections do not imply causation or implementation.
- Based on this published textSource credit / attributed account; see limits
- Based on this published textSource credit / attributed account; see limits
- Based on this published textSource credit / attributed account; see limits
- Different questions about one work, not two performancesSource credit / attributed account; see limits
- Writer / directorSource credit / attributed account; see limits
- ActorSource credit / attributed account; see limits
- ActorSource credit / attributed account; see limits
- Advice attributed by Wu Hao; no formal position establishedSource credit / attributed account; see limits
Sources and versions
S46-4 · 对话主创|曹健松:一度焦虑得睡不着
2022-09-08T19:23:52+08:00
A archive: check the full context ↗ · Original publication ↗
Passage locator: 现在这部戏的呈现;确定关系,但每场;观众席位呈圆周状;大多是在排练的过程中
S46-6 · 对话主创|安奚锐:死亡从来不是生命的终点
2022-09-08T19:23:52+08:00
A archive: check the full context ↗ · Original publication ↗
Passage locator: 首次读剧本;我亟待解决的主要矛盾;另外一个故事;距离公演还有两周
S46-7 · 对话主创|吴昊:戏剧就像一个盛满记忆和体验的冥想盆
2022-09-08T19:23:52+08:00
A archive: check the full context ↗ · Original publication ↗
Passage locator: 上周日510;梁吟老师;受访人:吴昊