BODY: playable relations without a fixed character model

What the public material records

The BODY rehearsal essay asks actors to generate characters through present action and interaction rather than impose one fixed psychological model on the play. Read alongside published accounts of scene-specific relations, an additional story and revised role assumptions, it suggests work at two scales: finding something playable within a scene while keeping relations across the play mobile. These approaches need not contradict each other, but the sources do not establish a complete sequence between writing and rehearsals or a story of a director being corrected by opposition. The essay also credits Xu Jinjiang with publicity and ticketing; this does not establish authorship of every poster or all promotional work.