What the public material records

The retained ticket separates an exhibition at 16:30, reception at 17:00, theatre admission at 18:30, experimental-theatre opening at 18:45 and electronic-music activity at 19:45. The invitation’s 4 June, 16:30 time concerns the open-studio exhibition, not all parts of the evening. Another ticket page names Yan Qin, Liu Yang, Aoshuang and He Fa without individual roles. The editorial interpretation is that the designs organize movement and address different audiences through different versions. Layout changes do not establish additional events, planned times do not prove punctual execution, and the undated year on the invitations requires support from another source.

Time and version

A planned sequence in opening materials; the invitations do not state a year.

Editorial research from the cited published or retained documents; interpretations are not quotations from participants.

People and organizational roles

This entry adds no attribution of personal or organizational roles.

Limits of this evidence

  • This entry changes no founding biography and assigns no additional design authorship.

These are reviewed research texts. Related public films identify their access editions separately; local source timings are not converted into web links.

People, groups, documents and plans

Solid: documented. Dashed: inference awaiting verification. Double: conflicting evidence. These relationships record public credits, attributed recollections, retained research and explicit links between research entries; no unverified identities or conflict allegations are added. Connections do not imply causation or implementation.

Sources and versions

S60-11 · P4开幕门票与两份邀请函图稿

日期未核 / Date unresolved

Editorial summary of a retained document; the original is not published here. Paragraph references support archival review, not public video timing. Dating, adoption and implementation require separate evidence.

Passage locator: 门票第1页分时流程、第2页作品列名；邀请函6月4日16:30